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With these influences Haring was able to push his own youthful impulses toward a singular kind of graphic expression based on the primacy of the line. In addition to being impressed by the innovation and energy of his contemporaries, Haring was also inspired by the work of Jean Dubuffet, Pierre Alechinsky, William Burroughs, Brion Gysin and Robert Henriās manifesto The Art Spirit, which asserted the fundamental independence of the artist. Haring was swept up in the energy and spirit of this scene and began to organize and participate in exhibitions and performances at Club 57 and other alternative venues. Here he became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, performance artists and graffiti writers that comprised the burgeoning art community. In New York, Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls. Later that same year, Haring moved to New York City and enrolled in the School of Visual Arts (SVA). While in Pittsburgh, Haring continued to study and work on his own and in 1978 had a solo exhibition of his work at the Pittsburgh Arts and Crafts Center. He soon realized that he had little interest in becoming a commercial graphic artist and, after two semesters, dropped out.
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Upon graduation from high school in 1976, Haring enrolled in the Ivy School of Professional Art in Pittsburgh, a commercial arts school. He developed a love for drawing at a very early age, learning basic cartooning skills from his father and from the popular culture around him, such as Dr. Keith Haring was born on in Reading, Pennsylvania, and was raised in nearby Kutztown, Pennsylvania.